Category Avant Garde
A powerful show of compositional abilities and musical poetry with the deep, research-oriented ethnomusicology that would make the most booky academic blush. Asher Gamedze recorded Dialectic Soul to be submitted in conjunction with his doctoral thesis in South African music, specifically jazz in the age of apartheid. The juxtaposition between the percussive freedom of African […]
Foreboding, dark music from Saint-Aime and a chamber jazz-like lineup. Obvious comparisons to Esperanza Spaulding could be made, but the bassist has so much more of her own sound and style. Classically informed, as well as the m-base movement of saxophonists. Incredible and requires a multitude of listens.
Comparisons to Bjork, another prominent Scandanavian artist, could be made when speaking of Eivor and her new album Segl. Eivor presents lilting, semi-electric beats with lilting voices and a myriad of textural playing.
Vocal sounds with electronics. Sci-fi ish!
Electronic, meandering soundscapes with natural sounds.
Cellist Amanda Gookin performs these solo cello pieces with electronics, sounds, voices, all composed by women. Very abstract and varied.
Hard to categorize, polyrhythmic, syncopated goodness from Georgia Anne Muldrow. Play for sure!
Sonic texts/poems of Neruda, Daumel and others, for soprano, bass, and the Boston Modern Orchestra Project, electronics.
For 6 instruments, plucking, drones, stops, lots of rhythmic changes, play most!
The second recording and first official release by Montreal guitarist Zach Fischer showcases the writing talents of the leader and melodic inventiveness of a sympathetic group. The music is narrative of life and the feeling of being in a foreign environment at home; in its movements and contours, one’s listening conjures up these feelings and […]
International Anthem Recording Co., a Chicago-based label, has been releasing the new wave of, what this writer thinks to be, seminal jazz recordings. Of these recordings, bassist Junius Paul’s “Ism” is among the top creating a tapestry of ever changing sound courtesy of such luminaries as Tomeka Reid, Makaya McCraven, and Marquis Hill. Highly recommended […]
Some of these are fairly tense and strident for piano nocturnes, all contemporary and interesting!
Electronic/mixed media works inspired for contemporary dance–with voice, drones, ambient soundscapes.
Ranging from loud, abrupt to lyrical, abstract works for saxophone and electronics. Play most!
Works by two composers who are members of Wet Ink Ensemble, Alex Mincek and Sam Pluta, highly abstract with group collaboration/improvisation for flutes, sax, piano, percussion, electronics, voice and violin. Play!
Really interesting works for strings and percussion/bit klavier, a little microtonal. Sample!
Ambient, electronic/techno + strings/drums/winds. Excellent!
All contemporary works for viola with the violist singing/ talking or other vocal sounds, some almost sound Baroque. Interesting!
Two pieces, the first one ambient and flowing for orchestra, the second for voice, in German, telling the poem of the Panther by Rainer Rilke.
Henrik Weber, primary composer of Pantha du Prince, with works for electronics and percussion, variable styles ranging from minimalist to classical. Play!
Mostly abstract, lyrical pieces for 1-3 flutes, except 2 works with electronics that are not so lyrical. Play most!
Finding connections with music/math and other arts, sound units/vibrations for cello and piano.
Cambodian composer seeks to alleviate suffering with his music which he describes as “futuristic folk music”, combining Asian and western elemets. Sample
Performed in Havana by Third Sound, highly varying contemporary works flute/strings/piano. Play!
Flute-based Heare Ensemble plays highly varying works from classical to more avant-garde. Nice!