Author Archives: jpalchak

CHASTITY BELT // TIME TO GO HOME (Hardly Art)

Seattle based all-girl DIY post-punk; hazy, mellow and melancholic basement rock full of feminist theory and cultural commentary, in between pelvic-thrusting sexual innuendo and self-mockery. Slightly goofy, gently vulgar. The soundtrack for your lazy morning hangover. PLAY: 3, 8, 2, 7, 5, 10 FCC: 4 (great track) RIYL: Potty Mouth, U.S. Girls, Bleached

BEARHUG // SO GONE (Spunk)

Lo-fi noise rock; abrasively dominant guitars drown lo-fi tape hiss vocals, beautifully weaved into an impenetrable barrier of fuzzy noise. Through the buzz and fizz of layered, distorted guitars, their breezy way with melody gives the record a cohesiveness that’ll wash over you and pull you into a state of total content. It’s easy to […]

DICK DIVER // MELBOURNE, FLORIDA (Trouble in Mind)

Throwback 80’s influenced jangle pop with elements of twee, augmented with everything from horns, to synths, to steel guitar. Each of the band’s four members take turns comfortably singing their own tracks, in no way breaking the cohesiveness of the record. PLAY: 2, 1, 3, 7, 6, 9 FCC: 8, 11 RIYL: Yo La Tengo, […]

SARAH BETHE NELSON // FAST-MOVING CARS (Burger)

Soft-focus slowcore pop. Plaintive, unforced female vocals are backed by a pretty, mopey, homemade ambience of ornate guitar pop with elements of blues and garage rock. PLAY: 2, 7, 3, 10, ALL FCC: clean RIYL: Frankie Rose, Chastity Belt, Beach House

KRILL // A DISTANT FIST UNCLENCHING (Double Double Whammy)

Frivolous and furious grunge rock, knotted with post-punk grace and elements of math rock. Complex instrumentation backs Jonah Furman’s unusual vocals; cracking, nervous and sad, with an odd warbling not unlike Kermit the frog. PLAY: 2, 4, 1, 5, 6, 8 FCC: clean RIYL: Ovlov, Ought, Spook Houses, Celestial Shore

LADY LAMB THE BEEKEEPER // AFTER (Mom+Pop)

Hard-hitting, shape-shifting, experimental jangly folk-pop. Lady Lamb brings a homey, sweet as honey warmth to her elegant lyrics while loudly swinging in and out of a storm of folk and rock. PLAY: 3, 1, 2, 8, 5, 7  FCC: clean RIYL: Sarah Jaffe, Daughter

ELVIS PERKINS // I AUBADE (MIR)

Lovely acoustic folk-rock; a buoyed wobble of upright bass and pretty noises of scraping strings. A majority of the tracks, at their core, are just Perkins and his guitar, but with so much glimmering noise and percussive ruckus around the fringes that they feel like a dream. It’s the soundtrack to those old VHS home […]

LIAM HAYES // SLURRUP (Fat Possum)

Soft-focus folk-pop reminiscent of soulful 70’s style soft-rock, with an impatient, impulsive energy. Hayes is infamously known as an eccentric and charismatic singer-songwriter; better known by his moniker Plush. PLAY: 6, 2, 3, 8, 11, 9 FCC: clean RIYL: Woods, Kurt Vile, Christopher Owens

SALES // SALES [EP] (Self-Released)

Warm, minimal beach jams / guitar pop with cooing female vocals, almost absent percussion, upbeat melodies, and synthy buzz. There’s an intimate, homemade atmosphere on this record which makes it feel like you’re in the room with ’em. PLAY: 1, 3, 2, 5, ALL FCC: clean RIYL: Cassius Orange, Beach House, Sylvan Esso

SISKIYOU // NERVOUS (Constellation)

Haunting folk rock, built around Colin Huebert’s anxious, whispery vocals. There’s a distinct dreamlike quality in each track, one that slowly fades away as a darker presence begins to creep in. Beautiful instrumentals and backing vocals provide a counter to Heubert’s pained and desperate singing. PLAY: 1, 7, 6, 2 FCC: 8 RIYL: Swell, PS […]

ALL WE ARE // ALL WE ARE (Domino)

A seductive blend of dance rhythms and dream-pop, describable only by oxymoronic terms like slowfunk or dancegaze. Hushed, cooing vocals emphasize how even at its funkiest, this album is meant for intimate moments in the bedroom. Reverb-heavy production but minimal instrumentation; gentle bass and lightly echoing guitars. PLAY: 9, 2, 3, 11, 4, 7 FCC: […]

MONOGOLD // THIS BLOOM [EP] (Self-Released)

Lush, dreamy, multi-layered psych-pop that is simultaneously hypnotic and energized, mixing frenzied rhythms and pop hooks with sleepy, serene, post-rock soundscapes. Shimmering, ethereal vocals float above swirling layers of instrumentation. PLAY: 2, 6, 3, 5, ALL FCC: clean RIYL: prime-era Animal Collective, Delicate Steve

FUTURE OF WHAT // PRO DREAMS (Feat. Drake)

Sweet, melancholic synth-pop about unrequited love, what happens when love becomes requited, Marxism, and veganism. It’s a makeout record and a breakup record. “Casual enough to listen to while cleaning the house, yet emotional enough to die to.” PLAY: 2, 9, 6, 4 FCC: 5, 8 RIYL: TOPS, Cherry Glazerr, Frankie Cosmos

ALEX CALDER // STRANGE DREAMS (Captured Tracks)

Experimental, psychedelic “slacker pop jangle,” with a strong love for 60’s guitar pop. Any drenched chorus or wall of sound leaves enough space for melody and texture to be neatly co-existent. Alex also has some history with Mac DeMarco; they used to play together in Makeout Videotape. PLAY: 9, 2, 11, 6, 4, 7 FCC: […]

ANDY SHAUF // THE BEARER OF BAD NEWS (Party Damage)

Placid DIY “hometowny” folk. Softly-strummed guitar, dampened drums, weathered piano, a violin, and a clarinet. Singer-songwriter Shauf, with his exaggerated Canadian drawl, creates dark and intimate tracks of self-reflection and captivating lyrical works of fiction. PALY: 6, 8, 3, 1, 9 FCC: clean RIYL: Elliot Smith, Baby Eagle, Iron & Wine

JESSICA PRATT // ON YOUR OWN LOVE AGAIN (Drag City)

Beautifully simple acoustic folk, reminiscent of hippie-era Britain; there’s a cozy, home-recorded atmosphere emphasized by hissy tape effects. Pratt’s humble voice rumbles gently, low and wise, compelling you to stop whatever you’re doing and light some candles for that much deserved bubble bath you’ve been putting off. PLAY: 8, 2, 5, 4, 6, ALL FCC: […]

MOSS LIME // JULY FIRST (Fixture)

All-girl three-piece from Montreal create sweet, simple, 80’s style no-wave post-punk. Arrangements are minimalistic; vocals are low and slightly (endearingly) monotonous with a noticeable accent. PLAY: 5, 1, 2, 3, 4 FCC: clean RIYL: Marine Girls, Oh-OK, Neo Boys

MEATBODIES // MEATBODIES (In The Red)

Grungey, fuzzy stoner rock; lead by member of Ty Segall and Mikal Cronin’s backing bands, Chad Ubovich, who is also the bassist for Fuzz. Nods to 60’s dream-time dementia, cultish lyrical enticements, and the positioning of guitar against heaps of fuzz and delay. PLAY: 3, 2, 4, 11, 6, 8, 10 FCC: 7 RIYL: Wand, […]

KING GIZZARD & THE LIZARD WIZARD // I’M IN YOUR MIND FUZZ (Castle Face)

Psychedelic garage rock, lo-fi and gnarly; has an early 80’s heavy metal vibe. The record is gooey with tape manipulations, phase shifts and saturations. A skeleton of propulsive kraut-beat with flutes and harmonicas bleeding through. PLAY: 3, 4, 8, 7, 6, 9, 2, 1 FCC: clean RIYL: Thee Oh Sees, Tame Impala, The Gooch Palms

COOL GHOULS // A SWIRLING FIRE BURNING THROUGH THE RYE (Empty Cellar)

Bluesy and soulful garage rock with a psychedelic twang reminiscent of the 70’s. Three-part vocal harmonies, acid riffs, and loud guitars swirl together into what has been described as “spliff-rock.” PLAY: 3, 6, 1, 2, 8 FCC: clean RIYL: The Everywheres, Burnt Ones, The Rich Hands, Woods

CELESTIAL SHORE // ENTER GHOST (Hometapes)

Dreamy, unpredictable psychedelic rock. Vocals are soft (and, almost, whispered) over complex instrumentation that’s trying to decide if it want’s to be dream-pop or garage-psych-infused rock. Obvious math rock influence; the drum kit is the lead instrument on this record. PLAY: 2, 1, 8, 4, 5, 11, ALL FCC: clean RIYL: Zombies, Speedy Ortiz, Krill

THE YOLKS // KINGS OF AWESOME! (Randy Records)

Lo-fi, minimal, garagey beach-pop. Brooding early 60’s doo-wop style melodies interplay with party-soaked mid 60’s frat rock. So good you’ll wanna smooch your honey and treat her to a root beer float. PLAY: 2, 4, 8, 6, 3, 9, ALL FCC: clean RIYL: Shannon & the Clams, Nobunny, Danny & the Juniors

KEVIN MORBY // STILL LIFE (Woodsist)

Singer-songwriter Kevin Morby finds himself on the solo-route once again, making chill & beautiful but upbeat folk-rock. Known for his work as the singer/guitarist for The Babies and bassist for Woods. PLAY: 2, 3, 4, 10, 1, 7 FCC: clean RIYL: The Babies, Kurt Vile, Cass McCombs

OUTRAGEOUS CHERRY // THE DIGITAL AGE (Burger Records)

Sunny, fuzzy, psychedelic garage pop – every bit a product of the 90’s. Jangling & feedback-laced guitars and minimalist, floor tom-and-snare drumming combine with sweet echoing vocals for a sound that falls between nostalgic and experimental. PLAY: 1, 5, 6, 3, 7, 10, ALL FCC: clean RIYL: Reigning Sound, Shoes, Mikal Cronin

STREETS OF LAREDO // VOLUME I & II (Dine Alone)

Equal parts folk storytelling and psychedelic madness, a family band heavily inspired by 70’s folk-rock. Consider it a soundtrack for fall; a sing-a-long collision of jangling harmonies, stomping percussion, horns and guitars. PLAY: 3, 6, 7, 4, 2, 10 FCC: clean RIYL: Kingsley Flood, Woods